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希特勒的奥运会
896In 1930, Germany was awarded the privilege of hosting the 1936 Olympic Games. However, that gesture to bring Germany back into the world community became problematic when the Nazis took over the nation in 1933, both domestically and internationally. However, a reticent Hitler was persuaded to let the event proceed for his own purposes even as the international sporting world wr... -
德州兽医三人组第一季
987兽医迪亚拉·布鲁(Diarra Blue)博士、奥布里·罗斯(Aubrey Ross)博士和迈克尔·拉维涅(Michael Lavigne)博士最近搬到休斯顿,共同开办了一家提供全套服务的兽医医院和动物收容所。该系列拍摄了医生的生活,他们在经营一家新企业的同时,还要管理着配偶、父母、姻亲、孩子、宠物和朋友的家庭生活,以及他们在诊所拯救动物生命的紧张时刻。 -
自然世界:家里的章鱼
804拥有三颗心脏,蓝色的血液和没有骨骼的身体,章鱼符合我们对外星生物最接近的想象。它们是从5亿多年前的一个共同表亲进化而来的。它们也是聪明的生物,而且已经被证实拥有解决问题的能力。当你邀请一个八条腿的外星人进入你的客厅的时候会发生什么?这部纪录片讲述了海洋生物学家大卫·舍尔和他与自己的章鱼之间的复杂,且仍在发展的关系。这部电影运用了大卫的第一人称叙述,并将他的发现与来自世界各地的章鱼故事联系起来,让我们深入了解这些不可思议的生物的非凡智慧和行为。 制作:PASSION PICTURES -
寂静之夜
912卢西亚恩是一位健康状况每况愈下的戏剧演员。他在舞台上忘词,日常生活中感到困惑和格格不入。最终,他决定结束自己的演艺生涯,不久后搬进了一家养老院。在这个新环境里,这位年迈的老人深深怀念他已故的妻子。他开始做一些似乎变得真实的噩梦。在其中一个梦境中,他发现了一条通往一个充满魔幻色彩的世界的通道,这个世界与他的剧院有着迷惑性的相似之处。 卢西亚恩开始在两个平行的维度中生活——现实生活和童话世界,这两个世界逐渐相互依存并交织在一起。他对这个虚构世界的沉浸最终引向了一个出人意料的结局。这是一个关于生命流逝的苦乐参半的论述。卢西亚恩创造的童话世界与其说是对死亡的隐喻,不如说是对死亡即将到来的象征性和解。 -
森林行者
768Carag, half-human, half-mountain lion, is a shape-shifter who grew up in the wilderness of the Rocky Mountains. However, his curiosity to learn more about his human side drives him away from his mountain lion family. While living with his human foster family, he hides his identity as a Woodwalker. He comes to realize that he can' find his place in human society. It is not until... -
通灵巫古咒
914Since his father found a mysterious package and heard the eerie sounds of an indigenous tribe, ARDI and his family have experienced strange events. SUCIPTO (his father), MARNI (his mother), and ARIF (his younger brother) all fell ill, one by one. Ardi and his younger sister, SYIFA, believe this is the result of a santet (a deadly curse), and they will be the next victims. It is... -
电幻国度
1086《电幻国度》是一部壮观的冒险片,由《复仇者联盟 4:终局之战》 的导演倾情打造。故事设定在一个充满复古未来色彩的 20 世纪 90 年代。米莉·波比·布朗(《怪奇物语》、《福尔摩斯小姐》、《少女斗恶龙》)饰演米歇尔:她是一名孤儿,在一个貌似卡通吉祥物的机器人曾与人类和谐共处、却因一次起义失败而流亡的社会中努力求生。一个夜晚,神秘而可爱的机器人科斯莫闯入了她的生活,打破了米歇尔对世界的认知。科斯莫似乎由米歇尔的天才弟弟克里斯托弗控制,而她一直以为他已经死去了。为了找回这个失散的亲人,米歇尔与科斯莫踏上了穿越美国西南部的旅程,意外结识了廉价的走私者济慈(克里斯·帕拉特饰,代表作《银河护卫队》、《侏罗纪世界》)和他的幽默机器人搭档赫曼(安东尼·麦凯配音)。他们深入隔离区,在这个机器人独立生存的被围墙封锁的沙漠角落,济慈和米歇尔发现了一群奇异而色彩斑斓的新机械盟友,并渐渐揭开克里斯托弗失踪背后的阴暗秘密。 -
未来有你
1396故事讲述了卡洛斯和埃琳娜即将签署离婚协议的故事。就在他们即将签署离婚协议之前,一位意想不到的古怪访客出现了,给了他们第二次机会:回到 1994 年,也就是他们相遇的那一年。从此,他们开始了一场冒险,他们将试图改变过去,面对有趣而感人的情景,同时试图避免爱上对方。— Traziende 电影公司 -
死亡不是终点
559Following the tragic death of his wife, Jon struggles with feelings of guilt when he starts an affair with the enigmatic Red. As he comes closer and closer to Red in a psychologically probing and mutually abusive relationship, Jon begins to question what exactly happened the night his wife killed herself. With the Stutter, a haunting echo seemingly everywhere around him blurrin... -
布道家庭第一季
688「我爆粗嗑药贪污嫖娼,但我知道我是个好牧师」 《布道家庭》聚焦以电视福音布道闻名于世的珎石家族,讲述他们叛逆贪婪却又不忘慈善事工的奇葩事迹。故事主角杰西·珎石自视为福音行当中特立独行之弟兄,以父亲伊莱·珎石的事工为基础,积极拓展更为摩登的当代受众群体。 珎石家族现任成员及有关人士: 伊莱·珎石 (Eli Gemstone, 约翰·古德曼 饰),杰西的父亲 杰西·珎石 (Jesse Gemstone, 丹尼·麦克布赖德 饰) 朱迪·珎石 (Judy Gemstone, 艾迪·帕特森 饰),杰西的妹妹 开尔文·珎石 (Kelvin Gemstone, 亚当·德万 饰),杰西的幺弟 安珀·珎石 (Amber Gemstone, 卡西迪·弗里曼 饰),杰西的妻子,前记者、现致力于教会事务 马丁·伊马里 (Martin Imari, 格雷格·阿兰·威廉姆斯 ... -
瓦莱里娅要结婚了
312姐姐克里斯蒂娜嫁到以色列,生活幸福。妹妹瓦莱里娅也在她的撮合之下来到以色列,与通过网络婚介认识的未婚夫见面。然而,在众人相处的短短一天内,这对姐妹开始质疑起各自的选择。 -
公寓2024
505Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.