The Professor dispenses the wisdom of the ages and does not make a living wage. The sons of the rich and powerful are students lacking any motivation. The next door neighbor of the Professor, businessman Olsen, has money and lots of food, while the Griggs have hardly any. Both Peter Olsen and Reverend Gates are taken by the beauty of young Amelia Griggs. When rich son Phil West falls for Amelia Griggs and befriends the poor Reverend Gates, he finally sees the difference in his life and theirs and tries to do something to change that.

　　一个时尚编辑和一个模特儿到另一座城市出差，两人各自发生艳遇，但春梦一觉醒来，才得见内心的惶恐。上世纪50年代的伯格曼作品经常有强迫深刻的意味，如本片对女性梦想、痛苦、挣扎等跟男人的关系作了探讨，虽然是部讽刺喜剧，但有一种焦距不准的模糊。

　　孤海寄生　　这部紧张的恐怖电影发生在荒凉的北海，一群工程师发现他们不是唯一呆在废弃的石油钻塔上的生物。由克里斯汀·汉森博士领带领的工程人员们必须与想将他们变成盘中餐的可怕寄生怪物对抗.

　　Facing a bleak future, a young man runs away to Mexico where he is recruited by the mysterious captain of a paramilitary group of teens who fight drug cartels. Isolated at their desert camp and unsure what he's fighting for, he seeks to prove himself in this crucible of manhood.

　　大卫在童年挚友杰克的邀请下，到圣卡利石窟进行最后一次的洞穴冒险。当晚，他们围在营火旁，向导向他们简短解说有关圣卡利石窟的传奇，第二天一早，这群兴致勃勃的年轻人便迫不及待投入这项冒险的活动，但是却有一群邪恶的末知生命在黑暗中窥伺着他们。一个队员在石窟里与众人走散，却被神秘的生物杀死，他手中的油灯落到含有硫磺的地面上，甲发爆炸，造成石窟塌陷，这些探捡队员也被困在洞里。为了寻找出口，队员分头进行探索工作。萨拉进到石窟深处的狭缝里，赫然见到一双闪亮鬼魅的眼睛正注视着她。在无尽的黑暗中……

　　

　　Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.

　　One of the five sci-fi's I remember every single detail of from my earliest days as a fan. For the genre, I think it's considerably above average. The moor is nicely atmospheric. There's one of every character in the book: the good guy, the bad guy, the local sheriff, the lovely damsel, her father the old professor, etc. The scene where we're looking for the first time through the window of the ship and the visitor peeks out from the other side is easily as good as the three-fingered-hand-on-the-shoulder in War of the Worlds. Nice "character" to the visitor, for whom, like Karloff's Frankenstein, we end up feeling some empathy .

　　A cloaked figure slips into an exclusive psychiatric clinic and murders one of the female patients. Meanwhile, various sexuals liaisons are revealed. The mystery killer continues with his massacre: he beheads a nurse with a scythe, pushes a chauffeur into a spiked “Iron Maiden”, strangles an older female patient, kills a nymphomaniac with an axe, and shoots a lesbian through the neck with a crossbow. Doctor Clay and the police set a trap for the killer using one of the attractive female patients as bait. However, they are not prepared for the onslaugth that follows…

　　有一种女人，也许并非天生丽质，但却能因为创造美丽而风韵永存、百世流芳；有一种女人，不相信整容和表面眉眼的漂亮，却因人格独立、自信一生，而精彩九旬；有一种女人，不沉迷于名牌与昂贵，却能因慧眼独具而点石成金，让自己的名字成为最响亮的品牌；有一种女人，一生无后，但有爱侣终生相伴，互相欣赏生命紧扣；有一个女人，从白宫到富商巨贾，从艺术圣殿到百姓家屋，她都曾用自己独特的品味，让所装饰之处绚烂无双。本片讲的是一生打扮美国、装点自己，年过九旬依旧走在时尚的顶尖，用生命实践与创造美丽传奇的一代时尚造型设计师、收藏家——艾瑞斯·阿普菲尔的故事。

This is just a meijubar.net mini series. That sucks bad. This show is by far the most sexiest show on TV right know,It has girl on girl sex,guy on guy sex,girl on guy sex. The violence has more of a real aspect to it then the other crap cop shows like ncis/law and order..etc.. And its Canadian Support the Canadian film making folks. I'm very upset there is not a huge season of ...

龐貝古城位於維蘇威火山（Vesuvius）腳下，公元79年，一場劇烈的火山爆發吞噬了整座城市。龐貝古城直到十九世紀才重見天日，考古學家展開大規模挖掘時，發現幕幕觸目驚心的景象──數百名罹難者的屍體已經腐爛，只留下骸骨和一個個人形軀殼，形態凝固在死前一刻；古城的神殿、商店、街道以至房舍面貌仍原封不動，數米厚的火山灰如同「時間膠囊」般密封了整座城市！《龐貝古城重現》集合頂尖考古、法證團隊及火山學家，合力拼湊出「滅城」災難的經過。節目以高質素電腦圖像界面及模擬情景，將火山爆發的災難場面，以及龐貝居民掙扎求存的最後時刻，巨細無遺地重現觀眾眼前。科學家亦會透過「相貌重塑技術」，史無前例地還原罹難者的模樣，又利用先進的法醫鑑證技術，剖析他們的死因。觀眾不但能夠了解到世上其中一場最可怕的自然災難，也能從中一窺古羅馬帝國的興衰。 　　

比莉在追求她想要的生活时，面对着新的挑战和新的欲望。但她能拥有这一切吗?

比莉在追求她想要的生活时，面对着新的挑战和新的欲望。但她能拥有这一切吗

　　《克拉拉傳》，克拉拉是德國第一位化學女博士，嫁給的丈夫弗裡茨哈珀是德國著名的化學家，氮肥之父➕一戰化學戰之父。因為氮肥獲得諾貝爾化學獎，但因為研製了N多化學武器被詬病，後來也由於他猶太人身份被德國驅逐，一些親人也死于他發明的化學武器。這是他第一任妻子的傳記片，或者代表他曾經有過的良知，良知死去了，片中的兒子後來也死於自殺。女主演的不錯，是《我們的父輩》裡那位女演員。

　　制片人阿方索（Adam Huss 饰）带着摄制组前往墨西哥的卡巴•圣卢卡斯，准备拍摄一部低成本的色情影片。但是他们的车在沙漠中迷路，汽油也消耗殆尽。在当地人的指引下，他们向最近的加油站前进，但同时也得到一个建议，那就是“绕开恐怖的神血镇”。　　当地有一个传说，曾经墨西哥最棒的摔角手“面具人”（Rey Misterio Sr. 饰）比赛中精神失常，杀掉了对手。随后他被囚禁在神血镇，而每当发现有人靠近时，他就会按照墨西哥摔角的规矩，揭掉对手的面具——也就是人脸！　　不怕死的剧组，终于走进了禁闭的神血镇……

　　When their deeply religious mother dies, the seven Hook children bury her in the garden and continue life as normal. Then their absent father , Charlie, reappears...

　　《性／生活》讲述了一个女人、她的丈夫以及她的旧情人之间的三角恋故事，采用全新的视角审视了女性的身份和欲望。比莉·康纳利（莎拉·夏希饰）并非生来就是生活在郊区的全职妻子和母亲。在嫁给充满爱心且为人可靠的库伯（迈克·沃格尔饰）并搬到康涅狄格州之前，比莉是一个自由奔放的野孩子。她与好朋友莎夏（玛格丽特·奥黛特饰）一起在纽约生活，工作努力，玩得更嗨。照顾两个年幼的孩子让比莉感到筋疲力尽并开始怀念过去，于是她开始写日记，幻想自己与性感的前男友布莱德（亚当·迪莫斯饰）的激情之旅 — 与后者的分手让她一直无法释怀。但比莉越是回想，就越想不通自己为何走到了今天的地步。然后，丈夫发现了她的日记。有关比莉过去的真相会在她的婚姻中引发一场性革命吗？还是会让她与那个抛弃她并让她心碎的男人再续前缘？

　　Tony (CANDYMAN) Todd stars as the titular executed occultist　　whose spirit haunts the prison where he was executed 20 years　　ago; Carla Greene plays a new inmate who senses his presence　　and battles the resuscitated Shadow and his undead army.

　　一段名为《和豚说话的女孩》(The Girl Who Talked to Dolphins)的纪录片将于6月17日在英国广播公司（BBC）播出。　　美国研究员霍韦（Margaret Howe）于上世纪60年代参与一项动物实验，尝试教导6岁大的樽鼻海豚彼得（Peter）说英语，希望证实海豚具有如人类般的语言能力。虽然彼得的学习成果有限，却意外爱上了与它朝夕相处的霍韦，编织出一段凄迷的“人豚恋”。　　来自美属维尔京群岛的霍韦，在下周播出的英国广播公司（BBC）纪录片讲述这段经历。当年仅23岁的霍韦，于1965年参与着名神经学家利利主持的实验，被安排入住“海豚之家”10周负责教彼得英文，无论用餐、洗澡、睡觉或玩耍都在一起。　　彼得仅学会“ball”（球）及“diamond”（钻石）等单字，却对霍韦日久生情。它被霍韦冷落时会“呷醋”，甚至对她展示性欲，多番将自己挤向她的双腿之间，并绕着她不断转圈。霍韦只好安排彼得与另外两条海豚生活来抑制它。　　彼得可能感到自己过于热情吓坏了霍韦，变得较为温和；渐渐霍韦亦对它产生情愫。可惜实验后来因经费不足告吹，彼得被移送至迈阿密。与“爱人”分离的彼得或因心碎，数周后闭气沉于池底自杀身亡。