A tough guy turned star. He did something others wouldn't dare. Always one step ahead of the cops and always downed a whiskey before robbing a bank. Growing up in a broken home Attila (Bence Szalay) was a troubled teenager, even spent time in a youth prison. Through a rather bizarre turn of events he escaped to Hungary from Transylvania. But his new life turned out to be much harder than the old one. He was the goal-keeper on a hockey team, but still had no money, no girlfriend; but then he found something that he's really good at. He was reckless, fast and meticulous. He started robbing post offices, banks, travel offices. The more he stole, the hungrier he got. Nothing was enough for himself and his new love (Piroska Móga). But his final job didn't go as planned and the determined investigator, (Zoltán Schneider) who's long been on his tail finally caught him and made him face the consequences. But the cop-robber game is far from over. A story of a fascinating life, full of amazing pursuits, action scenes - told through the lense of legendary director of Kontroll and Predators, Nimród Antal.

　　故事发生在位于墨西哥北部的一个宗教社区之中，住在这里的人都是极为虔诚的信徒，一丝不苟的遵循着主的指引，一言一行均时刻谨记教义。约翰（Cornelio Wall 饰）和妻子艾斯特（Miriam Toews 饰）是此处的居民，两人结婚多年，一家人住在风景秀丽的郊外，日子过得平静而又幸福。　　然而，一场风暴正在平静的表象之下激烈涌动，原来，约翰爱上了一位名叫玛丽安（玛丽亚·潘克拉兹 Maria Pankratz 饰）的女子，两人常常私会，享受灵与肉结合的快感。两人的关系并非仅仅局限于肉体，约翰深深的爱着玛丽安，这也就意味着，每当他和玛丽安在一起时，违背的不仅仅是世俗的道德，还有自己一生坚持的信仰，这令约翰陷入了巨大的痛苦之中。

　　Since 1977, Sam Klemke has been recording himself on film, the #selfieavantlalettre. In that same year, NASA launched the Voyager with the Golden Record. Whereas NASA primarily sketches a positive picture of humanity, Klemke's honest self portraits zoom in on the individual. A special film about time, memory and what it means to be human.　　‘This year will be my year, it has to be!’ Since 1977, Sam Klemke - a pioneer status updater - has looked back on ‘his year’ using video. With the illusion of progress, he hopes to encourage ‘personal growth and improvement’.　　Documentary maker Matthew Bate met Klemke on Facebook and became acquainted with his video 35 Years Back Through Time, a super-cut in which Klemke counts backwards from 2011 to his ambitious teenage self. Intrigued by this obsessive film project, Bate used Klemke's personal archive to create a documentary collage that feels like an intimate road trip, with Klemke providing valuable lessons about time. Along the way, he dismantles the dream of success and happiness. Klemke's self-mockery and honesty give the whole thing a light, breezy feel.　　Through this, Bate interweaves NASA’s Golden Record Project which, just like Klemke’s video project, was launched in 1977. This juxtaposition creates a reflection in which Bate sketches the comprehension of time and self-documenting stories as an inherent human need.

　　ynopsis from Time Out Film Guide: Between the seemingly idyllic opening and closing scenes depicting a rural community, first at church, then at the village festival, Fleischmann attacks that community's prejudices and ignorance without remorse. His very precisely observed portrait of Bavarian life begins with little more than a display of the villagers' constant ribbing, bawdy humour, continuous gossip, and more than a hint of their slow-wittedness. With the return of a young man, their idle malice and childish clowning, always on the edge of unpleasantness, receive some focus: quite without foundation, the lad is victimised as a homosexual. The crippling conformity of their ingrained conservatism leads the villagers to reject anything 'different': a young widow is ostracised, more for her crippled lover and idiot son than her morals; a teacher is frozen out because she's educated; the casual destruction of the young 'homosexual' is given no more thought than the cutting up of a pig. Not Germany in the '30s but the '70s; nevertheless the political parallels are clear. An impressive film.

　　After a misfortune with some male grooming products, Meir finds himself on a night out with a few of his former students.

　　山謬（托馬斯桑斯特）和貝克特的父親原是莎翁戲劇的演員，卻因嗜賭成癮，讓生活幾乎無以為繼。當貝克特到處招搖撞騙，希望用騙來的錢盡快替父親償還賭債時，終於惹禍上身。不過，這時正是考驗一家人如何重新團結一致凝聚親情，共同尋求避災解禍的關鍵時刻。到底他們是否可以躲過仇家的追殺？

　　该片以回忆的方式记叙了一个忧郁的巴黎青年人努力寻找现代大都市生活的意义和生命的故事。他在宗教，政治中找不到幸福和生活的理由，甚至在他自己身上也找不到。于是他把时间花在两个女人的身上，希望这样能够永久联系在一起。

　　弗兰西斯卡从事一项特殊工作，专门帮助已婚女人考验丈夫是否忠诚。因为自身性感火辣，已婚男人屡屡跌入陷阱。弗兰西斯卡坚信男人百分百都是混蛋，因为她有一个不堪回首的往事——她痴爱的男友忽然变成别人的新郎。　　奇怪的是新目标与众不同，无论她使何种手段都不能使之心动。弗兰西斯卡坚持不懈制造各种偶遇，可她越来越感觉吃力，工作受到前所未有的阻力……而与此同时，她发现自己竟然悄悄爱上这位有趣的已婚男人。工作和个人情感的矛盾，她该如何化解？

　　顿巴斯，乌克兰内战，一系列的黑色故事正围绕着“路”这个意象上演。安全舒适区被挤压得荡然无存，也无法透过重重迷雾看透世事。当众生都囿于如此混乱困境，有人却成功凌驾于他人之上。弱者不弱，若有武器在手——既然已看不到明天，就不能当待宰的羔羊… 沉浸于戏剧和电视领域创作多年后，导演沃洛日比特首执电影导筒，将其擅长的体裁以“准纪录片”形式呈现，用凛冽的镜头戏谑世间，冷眼旁观人类的困兽之斗。

　　刚从大学毕业的安德鲁对自己的人生感到十分迷茫，他找不到前进的方向，所以暂时赖在了新泽西的家中，在镇上找了一份给酒吧和成人礼当派对发起人的工作。在那里，他与一位年轻的妈妈和她十几岁的女儿建立起了非常特别的友谊。

　　Alice and Niklas are happy, they lack nothing - but a child. After several failed invitros, they go on a holiday to Sardinia to leave their wish for a child behind. Right there, however, everything they tried to repress resurfaces. A cheerful Tyrolean family moves directly into the neighboring house and seems to have everything that Alice and Niklas lack in life. An unforeseen incident changes their view on life, in which the most natural thing in the world does not avail.

　　一架飞机，载着青春女孩麦肯兹（艾拉·珀内尔 Ella Purnell 饰）从西雅图来到了阿拉斯加。她的母亲因为个人问题，而将女孩送到了自己的弟弟家。这位陌生的舅舅（布莱恩·格拉格提 Brian Geraghty 饰）温和可亲，小心翼翼地打消麦肯兹的陌生感和怯懦之心，尽最大努力拉近彼此的距离，但在这一过程中他也越过了不该越过的底线。某次远足途中，压抑着无限情感的麦肯兹决定从舅舅手中逃离。她试图返回西雅图，一路辗转，途中邂逅了饱经风霜的背包客瑞恩•巴特利特（布鲁斯·格林伍德 Bruce Greenwood 饰）。　　萍水相逢，忘年的孤独之旅，有些心情悄悄改变，有些人而注定离开……

　　你遇到一个人，坠入爱河，一切美妙神奇...但对格茨，一个可爱的、混乱的唱片店店主而言，失心于美丽的Aylin并不是件容易的事。为了赢得这个东方女孩的感情，他将不得不先赢得一个庞大的家庭。　　这不是一件容易的事，尤其是Aylin的爸爸，苏莱曼，动用他一切力量来结束他们之间的关系他想撮合医生Tarkan和他的女儿在一起。格茨被迫采取极端措施去证明给苏莱曼看他的价值...

　　杰克-卡特(迈克尔凯恩饰）一直以为人讨债、做代理为生。他能力超群，总是喜欢一人独居。但当他的兄弟在一桩“意外事件”中遇难后，他回到了那个被他遗弃的“卡特”家----去偿还那永远也还不清的“债”，解开那萦绕在他心灵中的兄弟遇害之谜。　　对于杰克来说，回到西雅图的家是一次弥补过失的机会。他联系上了他兄弟的妻子格洛里亚(米兰达-理查森饰)和她十多岁的女儿多琳(雷切尔-利-库克饰)。她们对他的这一举动很感疑惑。但当他发现兄弟的死整个是个谋杀时，他回来的目的很快从赎罪转向了复仇。　　杰克终于与多琳达成了和解，多琳也开始帮他，带他深入到城里的那些阴暗角落，到一个充满了欺骗性、到处漂溢着虚假的世界。卡特曾想向那些罪恶伸张正义，但是他越深入了解到事件的真相，越对自己的动机开始怀疑。他非但没有复仇，反而起了宽仁之心，直到最终又开始了赎罪。

　　这是一个关于复仇和家庭的复杂故事，讲述的是自由职业杀手女妖被杀死父亲的雇佣兵伏击的故事。

　　1930年6月12日，马克斯·施梅琳战胜杰克·沙基，而成为本世记仅有的几位非美国人的世界重量级拳逛之壹。担仅卫冕壹次成攻后，他就于1932年6月21日失手于复仇的沙基，将逛冠拱手相让。 1938年6月22日，他茬响被誉为“褐色轰炸机”的世界重量级冠军桥·露杨斯挑战中败北。

　　It’s 1974, and Britain has a hung Parliament. The corridors of Westminster ring with the sound of infighting and backstabbing as the political parties battle to change the future of the nation.　　This House is a timely, moving and funny insight into the workings of British politics by James Graham (Ink, ITV's Quiz) and directed by Jeremy Herrin (People, Places and Things). This much-loved production enjoyed two sold-out National Theatre runs, a West End transfer and national tour as well as being filmed by National Theatre Live.　　You can watch This House from 7pm UK time on Thursday 28 May until 7pm UK time on Thursday 4 June 2020. It was filmed live on stage at the National Theatre in 2013.　　The running time is 2 hours 40 minutes with a very short interval. It is subtitled.　　The play is suitable for ages 14+ with some strong language throughout.　　--　　We hope, as you enjoy this content and the weekly recorded performances, you’ll consider a donation to the National Theatre.

　　本片基于真实故事改编。Eismayer中尉是奥地利军队里最令人害怕的教官和模范的大男子主义者，但他私下里其实却是个同性恋。当他爱上了一个年轻的、公开出柜的同性恋士兵的时候，他的世界发生了翻天覆地的变化。

　　南斯拉夫1978年电影大师埃米尔·库斯图里卡(《生活是个奇迹》《地下》《爸爸出差了》《巴尔干庞克》《白猫黑猫》)执导的一鸣惊人处女作，因为打破了传统的性爱禁忌而引起争议，最后被禁，影片在斯洛文尼亚的国家电视节上夺得最佳导演奖，卡罗维发利国际电影节最佳新人奖。

　　年轻的服务员欢迎他的丈夫回到南非小镇的家中，丈夫在狱中呆了四年。最初他打算重新开始，可一桩杀人事件把他重新卷入暴力之中……